|
|
At Christmas 1998, I acquired a digital camera (some reprobate stole it in March 2000, but thanks to Eagle Star I was able to replace it in mid-July). Since then, and particularly after acquiring a nice large flash-card and an unreasonable collection of rechargable batteries, I have taken several thousand photos with it. When I had a machine with a permanent fast Net connection in my room at Oxford I made them all available on-line; nowadays, I have only a few megabytes of Web space, so I have to select.
This has its benefits: by putting up only the best 5% of my
work, I can make myself out to be a far better photographer, and
I can carefully crop and post-process the images rather than
submitting two and a half thousand of them in bulk to the
untender mercies of a perl script.
Digital cameras are great for two reasons: feedback and capacity. You can get feedback on the picture composition almost as easily as with an SLR (the SLR is, admittedly, superior if you want to do interesting things with depth of field and position of focus; the digicam doesn't have aperture control, and digicam previews are always of the whole frame which makes it hard to judge focus), and you get instant feedback of exposure which the SLR does not offer at all.
For capacity, it is a qualitative advantage to be able to take ten photos of a difficult subject and delete nine obvious duds, or to be able to take lots of photos over a week's holiday without changing film or lugging around a laptop with you.
![]() |
And, knowing that failed pictures are free, there's a much stronger temptation to experiment; my family accuse me of profligacy with film, but even I would not have tried taking flash photos of an indoor fountain using a 35mm camera, and I'd have missed the wonderful droplet-shapes to the right. Some time I'll go back and shoot off a film with my SLR there; the CCD in a digital camera is rather slow for this sort of action photo |